
Trapped at a Burger King the other day, I capture this lady in my sketchbook. I liked her "tyranosauraus rex" arms. Heh heh.


For obvious reasons, I call this one more of my "Picasso" style.
And this one I like a lot...I managed a twist you wouldn't necessarily expect, but still retained a pretty strong likeness, I think.
Here's my cousins, Phil and Amy Parham, on The 700 Club recently. They're keepign the wieght off, doign great, and inspiring other people to do the same. I'm so proud of them!
I've said it plenty of times. When you find, like I do, that cars, motorcycles, trucks, etc., are just "too mechanical", and really time consuming and tough to draw, just add lots of chrome, flames, and smoke! This theory isn't original, of course, as many cartoonists, especially Big Daddy Roth of "Rat Fink", was famous for doing the same thing. But, until today, I had forgotten "Odd Rods"! THESE are the "car-TOONS" I remember as a kid.I always loved this opening.....
John K and Bakshi...what a team.
I got this call awhile back from a big church out West who were doing a book and video series for kids. The art director liked my cartoony character design stuff, and hired me to do a toon of their pastor, who would be the star of the series. They were going to animate it in FLASH, though, and I don't do that program. And I didn't have to time to learn it in the short deadline they gave me. So, I had to do some extra "parts" for them to animate (the A.D. knows FLASH himself, so it was cool)
Here's the final version, with the extra arm.
Here's my inked version, with an extra hand I was playin around with. This was in Sketchbook, by the way, and the color was in Photoshop CS2, for inquiring minds.
And here's my original "blue line sketch" in Sketchbook, before I inked it. I would've loved to have had more time on this job, but I liked how it turned out and so did they.
For the first "Show and Tell" Feature back at my Blogger blog, I figured I'd let you know about MY sketchbook. Hot off the presses:Lately I've had the chance to work on some projects that I’ve had going on for years, that have been “on the backburner”. Little things like a graphic novel (70+ pages so far….might be finished in the next decade…LOL), and my first sketchbook! It’s full color, and comic sized. The work in it is all from my live gigs, and from life drawings in my personal sketchbooks. It’s all in my character design/animation style that I’ve been doing for so many clients these past few years.
I decided to do print the sketchbook through my good buddies over at www.ka-blam.com . They’ve got a great print on demand service, their books are gorgeous, and you can order it directly from their site at this link:
http://www.indyplanet.com/catalog/product_info.php?products_id=1671
Let me know how you like it! ( I also just added a permanent link to it on my sidebar).

Zoom Bee!!! Get it?
The interaction with guests, the energy of live events, the immediate gratification from the audience watching..there's so many positives that I rarely talk about the negatives, since they're so few. One negative, though, is clients who won't listen. I do gigs an average of 3-4 nights PER week, every week. And I've done that for at least six or seven years straight. Before that I did a few a month, still. So, doing the math, that's over 1200 events I've drawn at. That's not bragging, it's just stating the facts, and it's to prove a point- I certainly can learn, and am open to learning new ways to do things....but I kind of have an idea about what I'm doing now. I'm not even talking about the art...I'm talking about how to run a gig. How to set up, how to control the lines, etc. One of my biggest pet peeves in this business is working with "party planners" and/or the end clients, who think they know more about how to run my end of the event than I do.
The gig that these pix are from, about a year and half ago, are a case in point. My company had already done this Project Graduation gig for a local high school for a few years in a row, and everything had gone really well. UNTIL this year. They let a different lady at the school run this year's event. She was a "professional party planner", she told me, and had her own ideas of how to run things. UGH. I usually bite my tongue pretty well when dealing with hard to deal with clients, but this lady was just very combative and a real know-it-all.
One of the key things I do at gigs is have multiple caricaturists set up in one area. We have many, many multiple artist gigs. There are room layouts that make it prohibitive at times, and I understand that. But, I HIGHLY suggest in our contracts that with multiple caricaturists, they should be split up into groups of no less than two. Preferably more.
AS you can see here, this lady had a lot of distance between each caricaturist, AND had our line so far behind us that they couldn't see anyone's picture getting drawn. She effectively killed any and all entertainment value. You can see Joe Bluhm here in this photo, by the way. A great friend and a renowned caricaturist. He and I were there, along with two other of my best buds, Ted Tucker and Kenny Durkin I believe. Two other great caricaturists.
I didn't expect to give her the new snazzy harircut, the long (?) pants, or the cool little tennis shoes, but sometimes you just cant' control what comes out of the pen! Kinda like it, though...

Caricature Connection....the next generation! We recently had a big bash for our caricature artists here in Orlando, where everyone could bring their families. We had drawing contests, cash prizes, pizza, and a really awesome time hanging out. Here's a couple of pix of some of our gorgeous, talented kids:
My daughter, Brady, is the blonde in the center. Some of you may know Kenny Durkin, one of my best pals and a great artist.... his two kids, Alex and Kathy, are to the right of Brady in the photo. Alex is a "mini-Kenny". One of the great things about the CC Bash was seeing all of our talented offspring at work drawing alongside us "old people".
There's some real talent in this group, gang. And how cute are these three, to boot? They're all in 3rd and 4th grade.
I'm thinking of offering shifts to some of these kids as soon as they get fifteen!
Seriously, they're talented AND just all around, great kids. WE must be doing something right, know what I mean?
Look out, world!
First off, anyone that knows me knows that the PERFECT gift for me is a Barnes and Noble or Amazon gift card. I pooled several of them together this year and got the big, honkin Don Martin set from MAD magazine's Greatest Artists collection. I always loved Martin's sound effects, in particular, and boy, did he draw funny! Inspiring stuff.
I also got the super cool iPod touch. A non-phone, non-camera version of the iPhone, this was my first iPod. That's really all I wanted, a place to carry all of my rather eclectic tastes in music, with the capability to watch some videos and be able to check my emails Wi-Fi. I like it a lot, but it does make me wish I would've just done the iPhone, and had the whole shebang. Oh well. Maybe in a few years. Right now, this has been a lot of fun. I've got Playlists for Rockabilly, Wanda Jackson, Janis Martin, Jackie Wilson, Roy Orbison, Ricky Nelson, Orion, Nora Jones, Adam English, Elvis, Elvis Gospel, and Worship Music. Yeah, I know...weird stuff to lots of people, but I love it! Plus Podcasts from Creflo Dollar, Joel Osteeen, and Zig Ziglar. And let's not forget the "photos" I have of pieces from Hirschfeld, Jack Davis, and other artists whose work I admire, to inspire me on live gigs.
I seem to be getting more character design jobs these days, which is something I've been working toward for awhile. This is a recent one for a site named "Drink Weasel.com". An ad agency from LA called me to do this one. The client and the agency (my client) were fantastic to work with, and I look forward to seeing this character in use. They said the character might be on all kinds of stuff, so we'll wait and see. I believe the product might be something to keep people from driving drunk. Very cool.
Yeah, that's a big Spider-Man head ring she actually was wearing. Too cute.
Although highly stylized, this looked just like this kid. He was about seven and still uses his bottle! His Mom liked the pic, but the kid hated it and burst into tears! I figured I'd better snap a photo of it, cuz I'm sure it didn't make it home in one piece.

"Unibrow"
"Full Figured Girl"
"Sleepy"
This one I went 'round and 'round on. So many things to do, so many types of rock music. Finally, I decided to combine them and came up with this guy. His name IS "Rock Star".
Geez. Big group. They also requested lots of little tiny changes after I finished this one. Little stuff like the title of that book being changed, and the guy down in the front with the tie originally had on a sweater, but requested he now had to have a red tie on. Oh well, that's the nature of the beast on big group jobs. It's rare there's not some requested change. I try not to take any of it personally. Oh yeah...that is an ice sculpture of an eagle over there (their company logo) on the right. Yeah, try to draw an ice sculpture when the entire background is ice and snow! Tricky coloring....
For the ToonWeekly Cyborg challenge next week, I sketched this version of a RoboMonkey. Now that I read he's supposed to have human and machine parts, per the challenge "rules", I guess his brain is human, and the body is monkey and cybernetic parts. Yeah, that's the ticket....
I drew these guys, some pretty renowned agents in the field of professional Poker (Who knew poker players had agents?) for the second year in a row. What made it interesting is the fact that I almost didn't draw them this year. They loved the pic from last year, they said, but for whatever reason, decided to go with another artist this year (I think maybe the other artist was cheaper). Then, for whatever reason, they didn't like the image they got from the "new" artist. So they came to me in a bit of a panic, wondering if I could even turn it around as quick as they now needed it. I was glad to help them out, and they loved my version. So, it all worked out in the end.
On this newest www.ToonWeekly.com challenge, we were to do character designs for an 80s flick. I chose "The Karate Kid". Originally, I was landing up with some pretty strong likenesses on these, since I am used to drawing caricatures. But, I decided to play with them a bit more. As if this were a real series, and the cartoon producers didn't QUITE have the rights to make the characters look like the actors, but still wanted them close enough not to confuse viewers. We've seen this happen over and over again in licensed series, for real.